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Oliver Mayman
Bio/Music
Teaching
Upcoming
Store
Contact
(0)
Cart (0)
Bio/Music
Teaching
Upcoming
Store
Contact
Store "After You've Gone" - Solo Vibraphone Arrangement
D360251E-87E4-46CC-86A5-2FFC7C02B348.jpeg Image 1 of
D360251E-87E4-46CC-86A5-2FFC7C02B348.jpeg
D360251E-87E4-46CC-86A5-2FFC7C02B348.jpeg

"After You've Gone" - Solo Vibraphone Arrangement

$10.00

"After You've Gone" is a famous jazz standard by Turner Layton. In my five-page "stride"-style arrangement, the melody, an improvised solo section with written LH comping, a "shout" chorus, and an ending are included. All dampening and pedaling is notated, along with chord symbols and voicings. The emphasis in this arrangement is on achieving the sound of a stride pianist, requiring hand independendence, good feel, and some technical facility. This can be an effective standalone piece for a classical or jazz musician, or simply good learning material for someone who wishes to get into this kind of playing. Feel free to write to me at olivermaymanmusic@gmail.com with any questions about the arrangement. Listen to me play the piece here

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"After You've Gone" is a famous jazz standard by Turner Layton. In my five-page "stride"-style arrangement, the melody, an improvised solo section with written LH comping, a "shout" chorus, and an ending are included. All dampening and pedaling is notated, along with chord symbols and voicings. The emphasis in this arrangement is on achieving the sound of a stride pianist, requiring hand independendence, good feel, and some technical facility. This can be an effective standalone piece for a classical or jazz musician, or simply good learning material for someone who wishes to get into this kind of playing. Feel free to write to me at olivermaymanmusic@gmail.com with any questions about the arrangement. Listen to me play the piece here

"After You've Gone" is a famous jazz standard by Turner Layton. In my five-page "stride"-style arrangement, the melody, an improvised solo section with written LH comping, a "shout" chorus, and an ending are included. All dampening and pedaling is notated, along with chord symbols and voicings. The emphasis in this arrangement is on achieving the sound of a stride pianist, requiring hand independendence, good feel, and some technical facility. This can be an effective standalone piece for a classical or jazz musician, or simply good learning material for someone who wishes to get into this kind of playing. Feel free to write to me at olivermaymanmusic@gmail.com with any questions about the arrangement. Listen to me play the piece here

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Photos by Lora Sherrodd